8.26.2014
Fred
Camper’s classification of experimental films mostly aligns with mine; but his
idea that they usually don’t portray a linear narrative is one that I find too
eliminatory. Most short experimental films that I’ve seen indeed make no
attempt to convey a theatrical storyline, but perhaps his definition of
experimental films is erred by his notion of their lengths. One might classify
certain 90-minute features as “experimental,” and they very often do undergo a narrative
if released across the world. But the most important part of his article is
that he acknowledges the inanity of developing a rigid system with which to
classify experimental films, and acknowledges the ambiguity therein.
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