I’ve also
found the differences between color and monochrome lighting to be very
interesting ad important. Much is lost when choosing to film in monochrome that
might otherwise exist in color; and, of course, wine-sipping,
turtleneck-wearing, pretentious “art” aficionados may actively endorse
monochrome above color filming. But through the unsavory, pretentious mud and
murk of such film approaches lies the truth that emphasis and meaning is gained
in monochrome that is not otherwise there in color filming. A picture or video
may seemed suspended in time, floating through a realm of inactivity and
silence, whereas a color counterpart might not strike the same meaning.
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