Windows and
doorways in monochrome are particularly striking to me; the light playing
through them casts shadows that are not its own. When filming our pictures of
the window in the Watson building, and our shot of the set of windows in the
parking garage, I found the emphasis laid in three parts: in the side closest
to the viewer, in the wall or window itself, and in the outside as well. The
outside, when shot with the right lighting settings, is almost in color if more clarified than some
other contents of the photograph. In this way, we were successful with our
shooting of photographs for this assignment.
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